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The stylistic changes in Botticelli's late work are especially striking in the two paintings of the Lamentation over the Dead Christ (in Munich and Milan). Botticelli was reacting in these pictures to the new religious sensibility in Florence.
As in the earlier Lamentation in Munich, the scene is brought vividly close to the observer, in order to create feelings of sympathy in him. The group of mourners in front of the dark rock tomb is arranged in the form of a cross. At its top is Joseph of Arimathea. He is gazing painfully up to heaven as he holds out the instruments of Christ's Passion.
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