(b. 1571, Caravaggio, d. 1610, Porto Ercole)
Oil on canvas, 95 x 85 cm
Galleria degli Uffizi, Florence
In order to understand the historical position of Caravaggio's art, we have to be aware of his peerless and revolutionary handling of subject matter. This is true not only of his religious themes, but also of his secular themes. His Bacchus no longer appears to us like an ancient god, or the Olympian vision of the High Renaissance and Mannerism. Instead, Caravaggio paints a rather vulgar and effeminately preened youth, who turns his plump face towards us and offers us wine from a goblet held by pertly cocked fingers with grimy nails. This is not Bacchus himself, but some perfectly ordinary individual dressed up as Bacchus, who looks at us rather wearily and yet alertly.
On the one hand, by turning this heathen figure into a somewhat ambiguous purveyor of pleasures, Caravaggio is certainly the great realist he is always claimed to be. On the other hand, however, the sensual lyricism of his painting is so overwhelming that any suspicion of caricature or travesty would be inappropriate.