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The picture shows a detail of the relief representing the Assumption of the Virgin.
In the works that followed the statues in the Baptistry of Siena - the Tombstone of Bishop Giovanni Pecci in the Cathedral of Siena, the Assumption of the Virgin carved in Pisa in 1427 for the Brancacci tomb in Sant'Angelo a Nilo (Naples), the Christ Giving the Keys to St Peter of the Victoria and Albert Museum, and the Pazzi Madonna of the Berlin Museum - Donatello returned to the flattened relief, pushing its expressive possibilities to the utmost limits.
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