Drypoints
by Albrecht DÜRER
The copper plates were too soft to permit repeated printing without a weakening of the finer lines. Therefore, after the interruption occasioned by his second sojourn beyond the Alps, Dürer began experimentation with drypoint (1512). The result did not please him as it pleases his present-day admirers, and after only three experiments, therefore, Dürer ceased to work in this medium. He continued to search for new ways to achieve his ends.
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The Holy Family with St John, The Magdalen and Nicodemus
c. 1512
Drypoint, 216 x 190 mm
Staatliche Museen, Berlin
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750*879
Grayscale
113 Kb
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St Jerome by the Pollard Willow
1512
Drypoint, 208 x 185 mm
Museum of Fine Arts, Boston
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750*899
Grayscale
133 Kb
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Man of Sorrows with Hands Bound
1512
Drypoint, 117 x 75 mm
Graphische Sammlung Albertina, Vienna
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550*853
Grayscale
81 Kb
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