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This is the first woman painter officially recognized in the Uffizi Gallery. Her painting is serene, lacking excesses of any kind, either in the construction of forms or the creation of impressive luministic effects, so popular with other painters of her time. She was realistic as much as was necessary, modern as much as was necessary and conformist as much as was necessary. This was only natural, however, since she lived peacefully at home, dividing her time between the loving care of her family and her interest for painting.
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