The panel paintings executed around 1300 show an intensity of gaze of the figures which is common to all. Also common to the panel paintings is the visible effort made by the artist to achieve a naturalness, a new, more refined quality of painting, and a logically consistent depiction of space.
The later panel described as the Ognissanti Madonna after the church in which it was originally installed, has the same strength of representation as the frescoes at Padua.
Suggested listening (streaming mp3, 33 minutes):Johann Sebastian Bach: Magnificat in D major, BWV 243 |
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| Summary of paintings by Giotto |
| Frescoes in the San Francesco, Assisi |
| Legend of St. Francis | New Testament scenes | Lower Church |
| Frescoes in the Arena Chapel, Padua |
| Life of Joachim | Life of Virgin | Life of Christ | Last Judgment | Angels | Decoration |
| Frescoes in the S. Croce, Florence |
| Frescoes in the Peruzzi Chapel | Frescoes in the Bardi Chapel |
| Panel paintings |
| Crucifix | Maestà and others | Polyptych panels | Srefaneschi Altarpiece | Baroncelli Polyptych |
| Miscellaneous works |
| The Navicella mosaic | The Campanile of the Florence Cathedral |