According to some scholars the panels displayed on this page belonged to a winged altarpiece which Giotto and his workshop executed for the Santa Croce in Florence. This assumption and even the attribution to Giotto is debated. However, the Madonna in Washington and the three saints in the Museo Horne and in Châalis form one group, while the seven panels of similar size to be found in various museums form another.

Suggested listening (streaming mp3, 13 minutes): Henri Dumont: Magnificat

Preview	Picture Data	File Info	Comment
	Madonna and Child 1320-30 Tempera on panel, 85,5 x 62 cm National Gallery of Art, Washington	802*1068 True Color 162 Kb
	Saint Stephen 1320-25 Tempera on wood, 84 x 54 cm Museo Horne, Florence	702*1102 True Color 137 Kb
	St John the Evangelist 1320-25 Tempera on wood, 81 x 55 cm Musée Jacquemart-André, Chaalis	709*1102 True Color 139 Kb
	St Lawrence 1320-25 Tempera on wood, 81 x 55 cm Musée Jacquemart-André, Chaalis	754*1104 True Color 129 Kb
	The Epiphany 1320-25 Tempera on wood, gold ground, 45,1 x 43,8 cm Metropolitan Museum of Art, New York	950*954 True Color 176 Kb
	Presentation in the Temple 1320-25 Tempera on wood, 44 x 43 cm Isabella Stewart Gardner Museum, Boston	950*952 True Color 167 Kb
	Last Supper 1320-25 Tempera on wood, 42,5 x 43 cm Alte Pinakothek, Munich	900*908 True Color 161 Kb
	Crucifix 1320-25 Tempera on wood, 45 x 43 cm Alte Pinakothek, Munich	901*900 True Color 130 Kb
	Entombment 1320-25 Tempera on wood, 44,5 x 43 cm Berenson Collection, Settignano	950*957 True Color 161 Kb
	Descent into Limbo 1320-25 Tempera on wood, 45 x 44 cm Alte Pinakothek, Munich	952*972 True Color 143 Kb
	Pentecost 1320-25 Egg tempera on poplar, 46 x 44 cm National Gallery, London	860*900 True Color 186 Kb