Although only partly by Masaccio, the Brancacci Chapel frescoes stand as Masaccio's most influential work and the one upon which rests his historical position as the first painter of the renaissance. His share in the work was probably done during 1427 and consisted of the Expulsion on the left inner pilaster, the Tribute Money and part of the Raising of the Son of Theophilus and St Peter Enthroned on the left wall. He also painted three scenes dealing with the life of St Peter on the altar wall, the fourth is by Masolino. Already famous in the fifteenth century, artists and art students paid their homage to these frescoes by studying and copying them.

Preview	Picture Data	File Info	Comment
	View of the Cappella Brancacci (after restoration) 1426-82 Fresco Santa Maria del Carmine, Florence	1000*1181 True Color 185 Kb
	View of the Cappella Brancacci (before restoration) 1426-82 Fresco Santa Maria del Carmine, Florence	900*1150 True Color 167 Kb
	Frescoes in the Cappella Brancacci (left view) 1426-82 Fresco Santa Maria del Carmine, Florence	974*754 True Color 110 Kb
	Frescoes in the Cappella Brancacci (right view) 1426-82 Fresco Santa Maria del Carmine, Florence	970*756 True Color 117 Kb
	Medallion 1426-27 Fresco Cappella Brancacci, Santa Maria del Carmine, Florence	610*640 True Color 105 Kb

• Expulsion from the Garden
• Frescoes from the life of St Peter
• Tribute Money