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This Flemish Master derives his name from the parrot that occurs in several of his Madonnas. Much of his output is due to what was probably a large workshop, and attributing particular paintings from its output to a single hand is hazardous, but the present picture, showing the Magdalene seated at a table by a window, holding a gold encrusted urn, is of an order of quality that merits giving them to the Master himself.
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