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On the right, the ancient Adam, seated on the ground and surrounded by his children, sends Seth to Archangel Michael. In the background we see the meeting between Seth and Michael, while on the left, in the shadow of a huge tree, Adam's body is buried in the presence of his family. By placing all three stages of the story within the same background landscape, Piero is abiding by traditional narrative schemes already used by Masaccio in his fresco of the Tribute Money in the Brancacci Chapel.
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