An assistant of Rubens, the great Antwerp master, Erasmus Quellin painted this effectively lit but classicising scene showing the discovery of Achilles, disguised as a woman, by Odysseus and Diomedes.
In the 1640s, the architecture in the background of Quellinus's paintings acquires a remarkable classicist stamps. This is very noticeable in works like the Achilles among the Daughters of Lycomedes.
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