Although Rembrandt used extensive landscape settings in several of his early biblical and, more particularly, mythological pictures, he only took up landscape painting proper for the first time in the late 1630s. (By this term is meant paintings in which the landscape is the main subject, not necessarily paintings without figures.) He probably produced fewer than a dozen landscapes in oils altogether and seems to have given up the practice after 1650. In drawings and etchings, his landscapes formed a higher proportion of the total but these too were confined to the middle twenty years of his career.

Preview	Picture Data	File Info	Comment
	Landscape with a Stone Bridge c. 1638 Oil on panel, 29,5 x 42,5 cm Rijksmuseum, Amsterdam	1423*1000 True Color 159 Kb
	Landscape with a Stone Bridge c. 1638 Oil on panel, 29,5 x 42,5 cm Rijksmuseum, Amsterdam	1105*770 True Color 112 Kb
	Landscape with a Stone Bridge (detail) c. 1638 Oil on panel Rijksmuseum, Amsterdam	1000*1363 True Color 235 Kb
	Landscape with the Good Samaritan 1638 Oil on oak panel, 47 x 66 cm Czartoryski Museum, Cracow	1165*800 True Color 136 Kb
	Stormy Landscape c. 1638 Oil on wood, 52 x 72 cm Herzog Anton Ulrich-Museum, Braunschweig	1131*800 True Color 103 Kb
	Landscape with a Long Arched Bridge 1637-39 Oil on oak, 29 x 40 cm Staatliche Museen, Berlin	1255*900 True Color 109 Kb
	Landscape with Buildings 1642-46 Oil on panel, 45 x 70 cm Musée du Louvre, Paris	1491*1100 True Color 227 Kb
	Winter Landscape 1646 Oil on oak, 17 x 23 cm Staatliche Museen, Kassel	809*600 True Color 82 Kb
	The Mill c. 1650 Oil on canvas, 87.5 x 105.5 cm National Gallery of Art, Washington	994*834 True Color 93 Kb