In 1757, Tiepolo and his son Giandomenico were invited to Vicenza to fresco rooms in the Villa Valmarana and in the adjoining guest quarters, the so-called 'foresteria'. Their patron was Count Giustino Valmarana, a scholar and theater enthusiast. Tiepolo frescoed the vestibule and four ground-floor rooms, while his son executed the decoration in the adjacent guest house. Giandomenico's lively genre scenes featuring peasants and merchants were intended to form a marked contrast with Giambattista's noble and tragic themes in the Villa, borrowed from famous works of Greek, Roman, and Italian literature. The Iliad of Homer (c. 750-650 BC), the Aeneid of Virgil (70-19 BC), Orlando furioso by Ariosto (1474-1533) and Gerusalemme liberata by Tasso (1544-1595) were the sources for the different scenes which, because of the small, almost intimate proportions of the rooms, are narrated with a certain simplicity and using a limited number of figures.
The characteristic element of the frescoes in the Villa Valmarana is the way in which the representations have been conceived as theatrical scenes, in which the various heroes act as if on the stage.
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| Summary of works by Giovanni Battista Tiepolo |
| Great fresco decorations |
| Patriarchal Palace, Udine (1726) | Palazzo Labia, Venice (1746-47) |
| Residenz, Würzburg (1751-53) | Villa Valmarana, Vicenza (1757) |
| Royal Palace, Madrid (1762-66) |
| Various paintings and decorations |
| up to 1740 | 1740s | 1751-70 |