Rogier created another great work during his early period in Brussels, roughly between the middle of the 1430s and the beginning of the 1440s: the painting of St Luke Drawing a Portrait of the Virgin, known as the St Luke Madonna. St Luke the Evangelist was also the first Christian painter, and had painted the Virgin Mary from life. As a consequence he was the patron saint of painters, and in many towns and cities was regarded as patron of their guilds. As a result, most of the major pictures of St Luke were destined for the altars of these communities; Rogier's painting was probably an altarpiece for the Brussels guild.
There exist several examples of this composition, identical apart from a few details, of which the one in the Museum of Fine Arts in Boston, since its restoration in 1932-33, is regarded by most art historians as the original (other examples in Munich, Alte Pinakothek, St Petersburg, Hermitage, and Bruges, Groeninge Museum).
Suggested listening (streaming mp3, 6 minutes): Guillaume Dufay: Ave, maris stella, hymn for the feasts of the Blessed Virgin Mary |
Summary of works by Rogier van der Weyden |
Altarpieces |
Deposition | St Luke Madonna | Annunciation | Miraflores |
7 Sacraments | Crucifixion | Bladelin (Middelburg) | Beaune |
Braque | St Columba | St John | Various altarpieces |
Portraits |
Portrait diptychs | Individual portraits |
Single panels |
Pietŕs | Various | Fragments, copies of last works |
Graphics |