Les Très Belles Heures de Notre-Dame du Duc de Berry and the Turin-Milan Hours (1380-1420)
by French and Flemish illuminators

Paris had an organized book trade around its university from the thirteenth century and we must certainly ascribe to Paris many of the best-known Book of Hours of the period of Jean, Duc de Berry. The Très Belles Heures of the Duc the Berry was began about 1382, it is a Parisian manuscript illuminated by Flemish and French artists.

Les Très Belles Heures de Notre-Dame du Duc Jean de Berry was one of the first books of hours commissioned by Duc Jean de Berry (1340-1416), one of the four sons of King John II of France. Around 1412, the Duc the Berry passed on the book, only partly illuminated, to his treasurer Robinet d'Estampes, split it up and sold off the individual parts. As a result, two fragments came to be in the possession of the House of Bavaria-Holland, and it is thought that they were decorated in the style of Jan van Eyck. Later they were separated again, one going to Turin, the other to Milan. These parts of the manuscript, which was originally begun around 1380 as a commission for the Duc de Berry, are therefore known as the Turin-Milan Hours. However, the core of original manuscript - including the book of hours itself - remained in France and is known by the name that the whole work bore from the beginning in the Duke's inventories: Les Très Belles Heures de Notre-Dame du Duc de Berry.

Preview Picture Data File Info Comment
Très Belles Heures de Notre-Dame du Duc de Berry
c. 1380
Manuscript (Ms. nouv. acq. lat. 3093), 280 x 200 mm (each)
Bibliothèque Nationale, Paris

1410*900
True Color
216 Kb



Très Belles Heures de Notre-Dame du Duc de Berry
c. 1380
Manuscript (Ms. nouv. acq. lat. 3093), 280 c 200 mm
Bibliothèque Nationale, Paris

900*1217
True Color
223 Kb



Très Belles Heures de Notre-Dame du Duc de Berry
c. 1380
Manuscript (Ms. nouv. acq. lat. 3093), 280 c 200 mm
Bibliothèque Nationale, Paris

707*1000
True Color
171 Kb



Très Belles Heures de Notre-Dame du Duc de Berry
c. 1380
Manuscript (Ms. nouv. acq. lat. 3093)
Bibliothèque Nationale, Paris

828*1000
True Color
202 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

800*1096
True Color
189 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

900*1237
True Color
217 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

800*1090
True Color
168 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

750*1097
True Color
173 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

750*1146
True Color
185 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

750*1108
True Color
159 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

750*1108
True Color
197 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

750*1113
True Color
181 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

750*1099
True Color
171 Kb



Turin-Milan Hours
c. 1420
Manuscript (Ms. 47), 284 x 203 mm
Biblioteca Nazionale Reale, Turin

750*1080
True Color
174 Kb




Summary of illuminated manuscripts (miniatures)
Late Antique and Pre-Romanesque periods
351-400 | 401-450 | 451-500 | 501-550 | 551-600 | 601-650 | 651-700
701-750 | 751-800 | 801-850 | 851-900 | 901-950 | 951-1000
Romanesque period
1001-1050 | 1051-1100 | 1101-1150
Early and High Gothic periods
1151-1200 | 1201-1250 | 1251-1300
Late Gothic and Renaissance periods
1301-1350 | 1351-1400 | 1401-1450 | 1451-1500 | 1501-1550
Book covers
Illuminations by known masters
List of illuminators