BALDUNG GRIEN, Hans
(b. 1484/85, Schwäbisch-Gmünd, d. 1545, Strasbourg)

Death and the Maiden

1518-20
Oil on panel, 31 x 19 cm
Öffentliche Kunstsammlung, Basel

In this painting a voluptuous young maiden turns to receive the kiss of her lover, only to discover, to her horror, Death. The skeletal figure gently holds her head, a gesture that belies the finality of his impending bite. His patches of wispy hair and rotting skin mock her flowing tresses and supple flesh. The dark setting, unnoticed at first, is a cemetery as she stands on a gravestone, perhaps her own. This Vanitas picture (an image that alludes to the transience of life) typifies Baldung's predilection for erotically charged twists to more conventional themes, such as the Dance of Death.