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Assumption of the Virgin
1717-25
Marble and stucco
Pilgrimage-church, Rohr, Bavaria
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710*1048
True Color
149 Kb
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Assumption of the Virgin (detail)
1717-25
Marble and stucco
Pilgrimage-church, Rohr, Bavaria
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760*1111
True Color
165 Kb
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High Altar
1721
Stucco
Benedictine Abbey, Weltenburg
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1100*752
True Color
221 Kb
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St George and the Dragon
1721
Gilt stucco
Benedictine Abbey, Weltenburg
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1133*1700
True Color
252 Kb
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St George and the Dragon
1721
Gilt stucco
Benedictine Abbey, Weltenburg
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1200*1800
True Color
250 Kb
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Exterior view
1733-34
Photo
St. John Nepomuk church, Munich
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866*1300
True Color
208 Kb
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Exterior view
1733-34
Photo
St. John Nepomuk church, Munich
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802*1200
True Color
211 Kb
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General view
1733-34
Photo
St. John Nepomuk church, Munich
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1200*963
True Color
227 Kb
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Interior view
1733-34
Photo
St. John Nepomuk church, Munich
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1300*866
True Color
255 Kb
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Interior view
1733-34
Photo
St. John Nepomuk church, Munich
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825*1100
True Color
231 Kb
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Interior view
1736-39
Photo
Ursuline Church, Straubing
The final glorious achievement of the Asam brothers' collaboration before Cosmas Damian's death in 1739 was the decoration of the Ursuline church in Straubing. Egid Quirin was responsible for designing the building and the stuccowork, while Cosmas Damian painted three altarpieces but was unable to complete his frescoes. Green, red, gold and white predominate in Egid Quirin's inventive and imaginative stuccowork; for the high altar he produced statues of St Ignatius and St Carlo Borromeo, which stood beside twisted columns framing Cosmas Damian's high altarpiece.
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1127*1500
True Color
219 Kb
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