The simplification of form attracted Bruegel to the works of Italian art that he saw and studied during his journey abroad, and by which he was influenced after his move to Brussels in 1563. In many of his later paintings the figures are large, they quite dominate the scene, but their only real connection with the Italian Renaissance lies in their massive simplicity.

Preview	Picture Data	File Info	Comment
	The Parable of the Blind Leading the Blind 1568 Tempera on canvas, 86 x 154 cm Museo Nazionale di Capodimonte, Naples	1371*770 True Color 197 Kb
	The Parable of the Blind Leading the Blind (detail) 1568 Tempera on canvas Museo Nazionale di Capodimonte, Naples	1014*850 True Color 141 Kb
	The Parable of the Blind Leading the Blind (detail) 1568 Tempera on canvas, width of detail 21 cm Museo Nazionale di Capodimonte, Naples	900*1075 True Color 177 Kb
	The Parable of the Blind Leading the Blind (detail) 1568 Tempera on canvas Museo Nazionale di Capodimonte, Naples	1013*700 True Color 113 Kb
	The Parable of the Blind Leading the Blind (detail) 1568 Tempera on canvas, width of detail 21 cm Museo Nazionale di Capodimonte, Naples	900*1090 True Color 168 Kb
	The Parable of the Blind Leading the Blind (detail) 1568 Tempera on canvas Museo Nazionale di Capodimonte, Naples	1273*770 True Color 123 Kb
	The Parable of the Blind Leading the Blind (detail) 1568 Tempera on canvas, width of detail 21 cm Museo Nazionale di Capodimonte, Naples	800*966 True Color 168 Kb
	The Cripples 1568 Oil on wood, 18 x 21 cm Musée du Louvre, Paris	1190*1000 True Color 161 Kb
	The Peasant and the Birdnester 1568 Oil on panel, 59 x 68 cm Kunsthistorisches Museum, Vienna	1011*850 True Color 193 Kb
	The Peasant and the Birdnester (detail) 1568 Oil on panel Kunsthistorisches Museum, Vienna	744*980 True Color 179 Kb
	The Misanthrope 1568 Oil on canvas, diameter 86 cm Museo Nazionale di Capodimonte, Naples	1129*1100 True Color 178 Kb