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The young knight, with proud expression, holds the magnificent scabbard of his sword with one hand and with the other, points to his helmet, spurs and mace, the pieces of his armour, shown on the parapet in the foreground. Behind him, a squire, depicted in profile, holds the standard pole and is wearing a "bevor", another important element of a condottiere's equipment.
The work comes from the imperial collections of Prague Castle and was on show throughout the 18th century in the Belvedere Castle in Vienna, correctly attributed to Giorgione and with the knight identified as Erasmo of Narni (1370-1443), known as Gattamelata, and the squire, as his son, Antonio. The work was brought to Florence following an exchange of paintings between the imperial collections of Vienna and the grand ducal galleries of Florence in the period between 1792 and 1821. The portrait of a knight was then added to the collections in the Uffizi Galleries.
The canvas seems to date back to the earlier part of the 16th century, with the best placement being the intensely experimental period that characterised the beginning of modern painting, boosted by Leonardo's stay in Venice, in 1500.
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