Following a Byzantine tradition, Giotto painted three Crucifixes on shaped panels, the earliest - that in the Santa Maria Novella in Florence - became a prototype for contemporary and later artists. Although the attribution of the Crucifixes in Rimini and Padua is debated the majority of the experts attribute them to Giotto with possible contribution by assistants.

Suggested listening (streaming mp3, 12 minutes): Gregorian chants

Preview	Picture Data	File Info	Comment
	Crucifix 1290-1300 Tempera on wood, 578 x 406 cm Santa Maria Novella, Florence	1080*1400 True Color 189 Kb
	Crucifix 1290-1300 Tempera on wood, 578 x 406 cm Santa Maria Novella, Florence	1200*1544 True Color 127 Kb
	Crucifix (detail) 1290-1300 Tempera on wood Santa Maria Novella, Florence	900*1092 True Color 136 Kb
	Crucifix (detail) 1290-1300 Tempera on wood Santa Maria Novella, Florence	800*1186 True Color 127 Kb
	Crucifix 1310-17 Tempera on wood, 430 x 303 cm Tempio Malatestiano, Rimini	800*1129 True Color 80 Kb
	Crucifix (front) 1317 Tempera on wood, 223 x 164 cm Museo Civico, Padua	1235*1700 True Color 192 Kb
	Crucifix (back) 1317 Tempera on wood, 223 x 164 cm Museo Civico, Padua	1243*1700 True Color 149 Kb
	Crucifix 1300-15 Tempera and gold on fir panel, 468 x 375 cm Ognissanti, Florence	810*1000 True Color 64 Kb
	Crucifix 1300-15 Tempera and gold on fir panel, 468 x 375 cm Ognissanti, Florence	1200*1600 True Color 157 Kb
	Crucifix (detail) 1300-15 Tempera and gold on fir panel Ognissanti, Florence	844*1100 True Color 236 Kb
	Crucifix (detail) 1300-15 Tempera and gold on fir panel Ognissanti, Florence	1000*667 True Color 78 Kb
	Crucifix (detail) 1300-15 Tempera and gold on fir panel Ognissanti, Florence	1600*1200 True Color 148 Kb
	Crucifix (detail) 1300-15 Tempera and gold on fir panel Ognissanti, Florence	900*1200 True Color 124 Kb
	Crucifix 1330s Tempera on wood, 343 x 432 cm San Felice, Florence	920*1024 True Color 85 Kb