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This painting is dated 1604, a period in which the artist concentrated on scenes from the Passion, a theme that would continue to occupy him into the following decade. Following the demise of Mannerism, Ligozzi selected more somber subjects to appeal to the Florentine Counter-Reformation, the verisimilitude of his scenes and his intensely expressive figures setting him apart from the ostentatious Baroque style fashionable in contemporary Florence.
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