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Two panels in the Kunsthaus, Zurich, depicting The Annunciation and The Nativity, are thought to have constituted part of the wings of a large Crucifixion altarpiece whose central panel was the Munich Cathedral Crucifixion (Münchner Domkreuzigung) now in that city's Frauenkirche. which in turn is considered the work of a collaborator dubbed the Master of the Munich Cathedral Crucifixion.
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