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According to legend, the giant Ophorus carried the infant Christ across a river at night, and was pressed down below the surface of the water by the weight of the child, thereby being baptized. Thereafter he received the name Christophorus ("bearer of Christ"). In this night scene, Ribera reiterates the legend, but he adds more: he brings life to the figure of the giant, lending him an expression of incredulity and astonishment at the sight of the infant Christ. His physical power is evident in the drawing of his muscles of arms and shoulders. Paradoxically yet fittingly, Ribera has given him the flickering shadow of all-devouring ecstasy that predominates in a heightened form in his depictions of monks. It is a scene of superficial poverty without the brilliance of colour and luminosity. The miraculous experience of Christophorus is neither majestic nor historic, but is a sacred occurrence repeated daily before our very eyes.
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