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Signorelli studied firsthand from the living model to create his marvelous drawings, which are often specific preparatory efforts for his frescoes. The only artist whose skill as a draftsman could equal that of Signorelli was the young Florentine sculptor who was required to paint a vast cycle in Rome a few years later, namely Michelangelo. It comes as no surprise that Michelangelo was not only acquainted with the painter from Cortona, but even lent him money.
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