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The subject of this powerful drawing with the head of a man seen in three stages - youth, maturity, and old age - is elusive. Various interpretations have been suggested, from the Ages of Man to an allegory of past, present, and future. The central figure may have been intended as an idealized self-portrait of the artist, the Florentine sculptor and draftsman Baccio Bandinelli.
The portrayal of the three heads on the same scale from three different points of view - to the left, frontally, and in profile to the right - betrays Bandinelli's interest in the description of forms in the round, an approach suited to his main occupation, sculpture. The juxtaposition of overlapping heads, turned at various angles, seems to have been a recurring theme in Bandinelli's drawn oeuvre.
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