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In this picture the archaic arrangement of objects seems rather meagre compared with Dutch still-lifes at that time. Baugin's paintings are dominated by aesthetic elements that reflect a strict Calvinist morality. The symbolic props have been placed very economically: a dark mirror represents sight, a bunch of carnations in a vase - smell, bread and wine - taste, a chessboard in a closed box - touch, and finally the vermilion mandolin - hearing. These are not far from a game of cards (with a Jack of Spades on top) and a tied-up purse. Similar to 'Merry Society' type of paintings, music is regarded as morally corrupt and in opposition to the eucharistic symbols of bread and wine.
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