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Bourdon went to Sweden in 1652, where he entered the service of that redoubtable monarch Queen Christina, who eventually gave up politics for art. During his years in Sweden, Bourdon mostly executed portraits, characterized by their elegance and subtlety. They are usually bust-length with the face slightly turned, a type of portrait that was to be extremely influential on the next generation of painters, especially Le Brun and Mignard, and a whole host of more minor portraitists.
In this portrait the informality of the treatment of the sitter is striking.
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