Donatello continued to be much involved with relief-carvings in the 1430s: a sacramental tabernacle in St Peter's, Rome, its architecture peopled by angels and framing a scene of the Entombment (c. 1432); an external pulpit with panels of dancing putti for Prato Cathedral (commissioned in 1428, but delayed until 1438); and an organ loft, later turned into a Singing Gallery (Cantoria) for Florence Cathedral (1433-39).
The picture shows one of the seven reliefs (No. 7) on the external pulpit on the southern corner of the façade of the Cathedral at Prato.
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