DÜRER, Albrecht
(b. 1471, Nürnberg, d. 1528, Nürnberg)

The Virgin among a Multitude of Animals

1503
Pen and ink and watercolour on paper, 321 x 243 mm
Graphische Sammlung Albertina, Vienna

The Virgin holds the Christ child, who ignores the natural wonders around him and points towards Joseph. The small figure of Joseph stands near the house and he appears to be conversing with a stork. A closer examination reveals that many incidents from the story of the Nativity are being told. An angel swoops down from the sky to give news of Christ's arrival to shepherds tending their flocks on the hillside. On the left side of the picture, the ships of the three Kings have arrived and the Magi are setting off with their retinues.

This charming picture is distinguished from countless depictions of the Nativity by the wonders of nature which Dürer has included. The parrot, perched on the pole by the Virgin's side, was the prophet which announced her arrival. Dürer drew this bird from an earlier study. The artist loved parrots and he later acquired several live specimens on his trip to the Netherlands in 1521. Just beneath the parrot in the watercolour is a green woodpecker, ready to hammer out a song of praise. In the bottom left corner a large stag beetle teases the Virgin's faithful but sleepy dog and a butterfly has gently alighted on its back.

All the creatures have a meaning. The chained fox is a symbol of evil. The two owls around the tree stump represent the forces of darkness, but Christ's appearance has deprived them of their power. In the bottom right corner is a crab, like the one which Dürer painted on his first visit to Venice. Among other creatures are a snail, a dragonfly, a pair of swans, a robin, a moth and a water wagtail.

Dürer has delicately added colour wash to his pen and ink drawing, blue for the sky and water, a range of greens for the landscape and traces of red for the flowers. The resulting work is extremely delicate, portraying the Virgin and Child with great tenderness and a touch of humour. Two other versions of this picture exist and the composition may well have been intended as a study for a proposed engraving.




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