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The right side of the polyptych shows in the lower part St Dominic and Mary Magdalene, while the upper part contains St Francis Receiving the Stigmata, and A Franciscan Saint, probably St Anthony of Padua.
In the lower part of the side panels, the bodies of the saints disappear within the fluid coils of their robes. There is a highly refined play of colour variations among the four figures. The red, white and gold robe of St Jerome and the pink and violet costume of Mary Magdalene contrast with the more sober brown of St Francis' habit and the black of St Dominic's mantle. St Francis' bare feet, an attribute of his iconography, are almost disconnected from the figure. The feet of the other figures remain invisible, hidden by their robes and the thick carpet of flowers.
Indifference to the rendering of space and the relative sizes of figures can also be seen in the smaller panels of the upper part. St John the Baptist and St Francis, shown kneeling in profile, are squeezed in among rocky peaks without regard to realistic proportions. Similarly, St Anthony is placed in a narrow garden, hemmed in by the wall and the door, emphasizing the atmosphere of private meditation. St Peter's martyrdom, which is not very sanguinary despite the flow of blood, creates an impact by being brought forward toward the spectator.
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