Following a Byzantine tradition, Giotto painted three Crucifixes on shaped panels, the earliest - that in the Santa Maria Novella in Florence - became a prototype for contemporary and later artists. Although the attribution of the Crucifixes in Rimini and Padua is debated the majority of the experts attribute them to Giotto with possible contribution by assistants.

Preview	Picture Data	Info
	Crucifix 1290-1300 Tempera on wood, 578 x 406 cm Santa Maria Novella, Florence
	Crucifix 1290-1300 Tempera on wood, 578 x 406 cm Santa Maria Novella, Florence
	Crucifix (detail) 1290-1300 Tempera on wood Santa Maria Novella, Florence
	Crucifix (detail) 1290-1300 Tempera on wood Santa Maria Novella, Florence
	Crucifix 1310-17 Tempera on wood, 430 x 303 cm Tempio Malatestiano, Rimini
	Crucifix (front) 1317 Tempera on wood, 223 x 164 cm Museo Civico, Padua
	Crucifix (back) 1317 Tempera on wood, 223 x 164 cm Museo Civico, Padua
	Crucifix 1300-15 Tempera and gold on fir panel, 468 x 375 cm Ognissanti, Florence
	Crucifix 1300-15 Tempera and gold on fir panel, 468 x 375 cm Ognissanti, Florence
	Crucifix (detail) 1300-15 Tempera and gold on fir panel Ognissanti, Florence
	Crucifix (detail) 1300-15 Tempera and gold on fir panel Ognissanti, Florence
	Crucifix (detail) 1300-15 Tempera and gold on fir panel Ognissanti, Florence
	Crucifix (detail) 1300-15 Tempera and gold on fir panel Ognissanti, Florence
	Crucifix 1330s Tempera on wood, 343 x 432 cm San Felice, Florence