The panel paintings executed around 1300 show an intensity of gaze of the figures which is common to all. Also common to the panel paintings is the visible effort made by the artist to achieve a naturalness, a new, more refined quality of painting, and a logically consistent depiction of space.

The later panel described as the Ognissanti Madonna after the church in which it was originally installed, has the same strength of representation as the frescoes at Padua.

Suggested listening (streaming mp3, 33 minutes): Johann Sebastian Bach: Magnificat in D major, BWV 243

Preview	Picture Data	Info
	Madonna Enthroned with Child and Two Angels 1295-1300 Tempera on wood, 180 x 90 cm Diocesan Museum, Santo Stefano al Ponte, Florence
	Madonna and Child (detail) 1295-1300 Tempera on wood San Giorgio alla Costa, Florence
	Madonna and Child 1297 Tempera on wood Private collection
	Stigmatization of St Francis 1300 Tempera on wood, 314 x 162 cm Musée du Louvre, Paris
	Stigmatization of St Francis (detail) 1300 Tempera on wood Musée du Louvre, Paris
	Ognissanti Madonna (Madonna in Maestà) 1300-05 Tempera on wood, gold background, 325 x 204 cm Galleria degli Uffizi, Florence
	Ognissanti Madonna (Madonna in Maestà) 1300-05 Tempera on wood, gold background, 325 x 204 cm Galleria degli Uffizi, Florence
	Ognissanti Madonna (detail) c. 1310 Tempera on wood Galleria degli Uffizi, Florence
	Ognissanti Madonna (detail) c. 1310 Tempera on wood Galleria degli Uffizi, Florence
	Ognissanti Madonna (detail) c. 1310 Tempera on wood Galleria degli Uffizi, Florence
	Ognissanti Madonna (detail) c. 1310 Tempera on wood, width of detail 25 cm Galleria degli Uffizi, Florence
	Badia Polyptych 1300-02 Tempera on wood, 91x334 cm Galleria degli Uffizi, Florence
	Polyptych 1330-35 Tempera on wood, 91 x 340 cm Pinacoteca Nazionale, Bologna
	Crucifixion 1330s Tempera on wood, 58 x 33 cm Staatliche Museen, Berlin
	Crucifixion 1330s Tempera on wood, 39 x 26 cm Musées Municipaux, Strasbourg