GOYA Y LUCIENTES, Francisco de
(b. 1746, Fuendetodos, d. 1828, Bordeaux)

The Bewitched Man

c. 1798
Oil on canvas, 42,5 x 30,8 cm
National Gallery, London

The inscription: LAM/DESCO (Lámpara descomunal, 'extraordinary lamp') identifies the subject as a scene from El hechizado por fuerza ('The man bewitched by force'), a play by Antonio de Zamora. The protagonist, Don Claudio, is led to believe that he is bewitched and that his life depends on keeping a lamp alight. The play was first performed in 1698 and reprinted several times, including 1795, shortly before Goya's painting. Goya has represented the scene as a theatrical performance, on a stage with the dancing donkeys as a backcloth (in the play they are described as paintings on a wall). The goat that appears to hold a lamp is no more than a stage property but the fear that it inspires in Don Claudio is portrayed with dramatic realism.

This was one of six pictures of witches and devils painted by Goya for the Alameda of the Duke and Duchess of Osuna and paid for in 1798. The subjects are similar to scenes of witchcraft in Los Caprichos on which Goya was working at this time.




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