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During the period 1640-70, Jan Davidsz. de Heem created a synthesis between Flemish and Dutch flower painting. The present painting was made during his stay in Utrecht between 1665 and 1670, and it is one of his most refined, elegant, and detailed work. It shows the decorative and asymmetrical style that characterises his late work. Everything is observed in minute detail. The background is black; the studio window can be seen reflected in the glass vase.
This flower piece incorporates vanitas symbols: the shells, insects, ears of grain, roses and anemones, are all traditional symbols of the fragility of human life. The peonies, with their rich fragrance, were perceived as symbols of transient pleasures.
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