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This large altarpiece is a fine example of the Valencian school during the International Gothic Style in the first quarter of the 15th century. It was traditionally attributed to the German painter established in Valencia, Andrés Marzal de Sax (or Marçal de Sas) although this attribution is still subject to debate and leads to more cautiously call the artist responsible for this work 'Master of the Centenar' according to the provenance of the retable most likely executed for the chapel of the Confraternity of the Centenar de la Ploma.
The altarpiece illustrates the legend of the St George, a Christian warrior saint, said to have lived at the end of the 3rd century. It is composed of 3 superimposed central panels surmounted by the Holy Spirit and Christ enthroned flanked by two prophets. On each side are depicted 10 scenes of the life of the saint, combining two different narrative cycles: the victory of St George against the dragon and the martyrdom of the saint while the predella panel illustrates 10 scenes of the passion of Christ.
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