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The painting depicting the Angel of Annunciation is believed to have been the left-hand door of a church organ, while its pendant with the Virgin Annunciate was the right-hand door. Both canvases are in the Uffizi.
The Virgin is kneeling before a sort of altar on which a book rests. She has her head humbly bowed and her hands are clasped as she expresses her acceptance of divine will. Other books in the background, exclusive precious items belonging to the wealthier classes and the clergy, indicate that Mary is an educated woman.
The venue of the Annunciation is an imaginary setting, a loggia rendered smaller and more sheltered by the drapes closing off the background. The columns are decorated with plant festoons laden with fruit, a symbol of prosperity inspired by the Greek and Roman art in vogue during the Renaissance.
The setting is majestic, with columns, architraves and beams on the ceiling, creating a curious alternation of interior and exterior spaces. Yet, its solemn nature is mellowed by the calm gestures of the figures, creating an intimate and contemplative atmosphere.
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