Poussin completed this composition - the last in the first series - after his arrival in Paris. Baptism uses perhaps the brightest palette in the cycle. Examining this series as a whole, it is evident that Poussin has not executed the individual parts in a common style: they were produced over too protracted a period for this, and since Poussin delivered each canvas to his client as soon as it was finished, he was unable to match the following composition to the previous one.
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