POZZO, Andrea
(b. 1642, Trento, d. 1709, Wien)

Painting on the pendentive: Jael

1685
Fresco
Sant'Ignazio, Rome

The effect of the simulated cupola rests largely on the figural groupings on the pendentives, which were executed immediately after the canvas with the painted cupola was put in place. Painted on actual concave pendentives, they make the sham cupola more believable, especially when viewed from the entrance. The monumental figures (Judith, David, Samson, Jael) have an imposing physicality, emphasized by their bright colours and strong contrasts.




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