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Marinus van Reymerswaele, a Calvinist from Zeeland, was studying in Antwerp at the time when Quentin Massys was the undisputed leader of the city's painters. In his Tax Collectors, Van Reymerswaele - realist, mannerist and even expressionist - carried on the tradition of Massys' genre works in a picturesque, precious and almost caricature fashion.
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