In 1880, Rodin was commissioned for a bronze door to a building still in the planning stage, designed to house a museum of decorative arts. France's President Jules Ferry signed the order commissioning Rodin to produce a model of a "bas-relief depicting Dante's Divine Comedy." The very nature of the commission was of capital importance to the sculptor: like equestrian statues, monumental doors were considered prestigious projects that could be awarded only to well-known artists. One of the uncontested models for such doors were those done by Ghiberti for the baptistery in Florence, which Michelangelo dubbed the Gates of Paradise. Rodin, during his trip to Italy in 1875, spent a long time admiring the bronze masterpiece.

The influence of Ghiberti on Rodin was obvious when he sketched his early ideas for The Gates of Hell. They reflect the compartmentalised structure of the Florentine panels, each compartment depicting a specific incident. The subdivision of Dante's poem into cantos made such division easy. Nevertheless, Rodin soon abandoned this initial idea in favour of a single overall panel on each of the double doors, providing scope for an astounding fall of the damned from top to bottom, thus echoing Dante's text.

While preparing for this work, Rodin spent nearly a year on a series of sketches. In late 1884, casts of various parts of The Gates of Hell were assembled. But Rodin continually altered the work, and things dragged on - construction of the new museum of decorative arts was postponed indefinitely and Rodin began to work on other commissioned projects. Independent works based on the Gates were steadily making their way in the world, as witnessed for example The Kiss in 1888, and The Thinker in 1889.

Years went by, and the Gates steadily lost their utilitarian goal, becoming an autonomous artwork independent of practical consideration. It was in 1900 that a plaster cast of The Gates of Hell was first exhibited in public. It was unnoticed by the public and Rodin seemed to have abandoned any idea of finishing his work.

At Rodin's death, the first curator of the Musée Rodin had a complete model of the Gates assembled from the original molds. The first bronze cast was executed in 1926-28. Today there are seven casts of the Gates of Hell throughout the world, made between 1926 and 1997: Paris, Philadelphia, Tokyo, Zurich, Stanford, Shizuoka, and Seoul.

Suggested listening (streaming mp3, 16 minutes): Franz Liszt: Dante-sonata

Preview	Picture Data	Info
	The Gates of Hell 1880-90 (cast 1926-28) Bronze, 635 x 400 x 85 cm Musée Rodin, Paris
	The Gates of Hell 1880-1917 Original plaster, height 520 cm Musée d'Orsay, Paris
	The Gates of Hell 1880-90 (executed in 1917) Plaster, 600 x 400 x 94 cm Musée Rodin, Paris
	The Gates of Hell (third maquette) 1880 Plaster, 112 x 75 x 30 cm Musée Rodin, Paris
	The Gates of Hell 1900 Plaster, 600 x 388 x 98 cm Musée Rodin, Paris
	Gates of Hell (detail) 1880-1917 Bronze Musée d'Orsay, Paris
	The Gates of Hell (detail) 1880-90 (cast 1926-28) Bronze Musée Rodin, Paris
	The Gates of Hell (detail) 1880-90 (cast 1926-28) Bronze Musée Rodin, Paris
	The Gates of Hell (detail) 1880-90 (cast 1926-28) Bronze Musée Rodin, Paris
	The Gates of Hell (detail) 1880-90 (cast 1926-28) Bronze Musée Rodin, Paris
	The Gates of Hell (detail) 1880-90 (cast 1926-28) Bronze Musée Rodin, Paris
	Gates of Hell (detail) 1880-1917 Plaster Musée d'Orsay, Paris
	The Gates of Hell (detail) 1880-90 (cast 1926-28) Bronze Musée Rodin, Paris
	The Three Shades 1881-86 (model), cast 1969 Bronze, 97 x 94 x 52 cm Metropolitan Museum of Art, New York
	The Thinker 1902-04 Bronze, height 180 cm Musée Rodin, Paris
	The Thinker (detail) 1902-04 Bronze Musée Rodin, Paris
	Ugolino and His Children 1901-04 Bronze, 134 x 140 x 194 cm Musée Rodin, Paris
	The Kiss 1901-04 Marble, 182 x 122 x 153 cm Musée Rodin, Paris
	The Kiss 1901-04 Marble, 182 x 122 x 153 cm Musée Rodin, Paris
	The Kiss (detail) 1901-04 Marble Musée Rodin, Paris
	The Kiss 1887 Terracotta, height 79 cm Musée Rodin, Paris
	I am Beautiful c. 1886 Bronze, height 69 cm Musée Rodin, Paris
	Fugit Amor 1890-95 Marble, 61 x 105 x 43 cm Musée Rodin, Paris
	Adam 1880 (model), c. 1910 (cast) Bronze, height 194 cm Metropolitan Museum of Art, New York
	Adam 1880 (model), c. 1910 (cast) Bronze, height 194 cm Metropolitan Museum of Art, New York
	Adam 1880 (model), c. 1910 (cast) Bronze, height 194 cm Metropolitan Museum of Art, New York
	Adam (detail) 1880 (model), c. 1910 (cast) Bronze Metropolitan Museum of Art, New York
	Eve 1881 (model), c. 1910 (cast) Bronze, height 174 cm Metropolitan Museum of Art, New York
	The Prodigal Son 1905 Bronze, height 138 cm Musée Rodin, Paris
	Eternal Spring after 1897 Marble. height 77 cm The Hermitage, St. Petersburg
	Summer c. 1885 Bronze, height 20 cm The Hermitage, St. Petersburg