|
Prison scenes such as this were particularly favoured by Hendrick van Steenwijk the Younger, and like church interiors, they offered an opportunity for the artist to flaunt his talent for architectural depiction. To the 17th century viewer, however, the scenes had additional connotations, often signifying the Liberation of Saint Peter.
In this painting the viewer is forced to peer into the impenetrable darkness to discern two figures, possibly the apostle and his companion, making their escape beyond. Set at night, within the cavernous depths of a Roman prison, the scene allowed the artist to display his mastery of perspective, with the additional challenge of minimal light.
|
