STEINL, Matthias
(b. ca. 1644, Salzburg, d. 1727, Dorotheerhof)

Immaculate Conception (front and rear views)

1688
Wood, once gilded, height 93 cm
Liebighaus, Frankfurt

The bold design for the Virgin of the Immaculate Conception is a fine example of Austrian High Baroque. It was executed as a study. Standing with her right foot on the crescent moon, balanced on the globe, the figure is shown defying gravity in a violently contorted pose, as prescribed by Italian Mannerists. Following the perspective around, the beholder's gaze is led by the spiral line of the drapery in a perpetual transformation of physical substance to the point of complete dematerialization. In the rear view, the figure appears merely as the shape of a cloud floating on the sky.

A monumental version in bronze, which was not executed, was probably based on this figure, and would have been conceived as part of a spatially expansive ensemble.




© Web Gallery of Art, created by Emil Krén and Daniel Marx.