(active 1480-1510 in Florence)


Florentine painter known also as Alunno di Domenico (Pupil of Domenico). This name was invented by Bernard Berenson for the Florentine painter to whom he ascribed most of the designs for Florentine woodcut book-illustrations of the late 15th century. This wholesale attribution has not won general acceptance, but the actual pupil and assistant of Domenico Ghirlandaio postulated by Berenson has been identified as Bartolomeo di Giovanni, who was commissioned to paint the predella of Ghirlandaio's Adoration of the Magi in the Spedale degli Innocenti (Foundling Hospital) in Florence, in 1488. He was most important and talented artist in Ghirlandaio's workshop, who had made an individual and pleasing impression in the fresco of the Sistine Chapel. He has an intense, almost biting Nordic style, and he anticipates the rapid and nervous manner of Piero di Cosimo.

He also worked under Botticelli's guidance.