(b. 1803, Paris, d. 1886, Montévrain)
Painter and printmaker, son of Jean-Baptiste Isabey. He spent his earliest years in the Louvre among such artists as François Gérard and the Vernet family. His first works, mostly landscapes in watercolour, painted on the outskirts of Paris, display an independent character that owes little to the influence of his father or the other artists among whom he had lived. In 1820 he travelled to Normandy with his father, Charles Nodier and Alphonse de Cailleux, the future director of the Louvre.
In 1821 he visited Britain with Nodier and discovered British painting; it is uncertain whether Isabey ever met Richard Parkes Bonington (his father certainly knew him), but Bonington's free watercolour technique had a decisive influence on his development. Isabey's admiration for Géricault, the advice of his friends and a passionate temperament also helped to form his style, which was characterized by skilfully worked brushstrokes and a preference for impasto rather than glazing. Between 1821 and 1824 Isabey seems to have returned to Normandy several times, painting on the coast between Le Havre and Dieppe. At the Salon of 1824 he exhibited a series of seascapes and landscapes (untraced), which helped to establish his reputation. He was also a genre painter and also made lithographs.
He is well represented at the Louvre; the Metropolitan Museum has one of his paintings.