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The right wing represents St Anthony in Meditation.
The powerful evocation of a corrupt and stinking world is no less apparent in the right wing, where Bosch used as his starting point the story of the Devil-Queen, a subject he had already depicted in the Hermit Saints altarpiece. The Devil-Queen appears in the river before Anthony, shielding her private parts with a false modesty and surrounded by her infernal court. Anthony averts his eyes from this obscene group only to be summoned by a demon-herald to the devilish feast in the foreground. The open-air table, the cloth slung tent-like over the tree stump beside the temptress, and the servants pouring wine seem like a grotesque parody of the traditional Garden of Love. In the background looms the city of the Devil-Queen, its demonic nature betrayed by the dragon swimming in the moat and by the flames erupting from the top of the main gate.
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