In the 1550s, Bronzino's mythological themes were developed in two further allegories of Venus: Venus, Cupid and Envy (c. 1550; Szépmuvészeti Múzeum, Budapest), which is a simplified and less subtle variant on the Venus, Cupid, Folly and Time of 154445 (National Gallery, London), and Venus, Cupid, and a Satyr (c. 1555; Venus's drapery added later; Galleria Colonna, Rome), painted for Alamanno Salviati.
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