GRÜNEWALD, Matthias
(b. 1470/80, Würzburg, d. 1528, Halle)

Concert of Angels

c. 1515
Oil on wood
Musée d'Unterlinden, Colmar

The musician angels are crowded into the Gothic chapel which fills the left half of the painting. In fact only three of them have instruments in their hands, and only one of them stands out, a blond-haired angel dressed in pale violet robe kneeling and playing the viola da gamba. His exalted expression and his beautiful instrument, however, fill the entire picture with music. The peculiar position of his hand, the way he holds the bow at the wrong end, is certainly not in accordance with contemporary practice; it is merely a compositional solution employed by the master. Behind him we can see one of his mates playing the viola da braccio, and on the left, behind the column, another bird-like, feather-covered angel who also plays the viola da gamba. Grünewald no longer makes the distinction between the nine orders of angels, but refers to their former hierarchy by depicting them as different.

Suggested listening (streaming mp3, 4 minutes):
César Franck: Panis angelicus