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The panels of the pulpit give a continuous narrative with the Annunciation, Nativity and Annunciation to the Shepherds; the Adoration of the Magi depicted as the Three Ages of Man; the Presentation in the Temple; the Crucifixion; and the Last Judgment. Traces of pigment suggest that paint once increased the polychromy of the coloured marble, while the addition of black paste to some drill holes intensified the light and dark contrast of the carving.
In the damaged but grandiose Last Judgement relief, the Saved and the Damned are arrayed on the terraces of an amphitheatre seen from above, opposite the face of the Judging Christ, the off-centre focal point of the composition.
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