While sin and folly occupy a prominent place in Bosch's art, their significance can be fully appreciated only within the context of a larger medieval theme, the Last Judgment. The preparation for this Final Day was one of the chief concerns of the medieval Church. In Bosch's days the terrors of the Final Reckoning were intensified by a general sense of its imminence. Nowhere, however, was this chronic anxiety of the age given more vivid expression than in Bosch's imposing Last Judgment triptych in Vienna, executed probably during his middle period.
![]() Giuseppe Verdi: Requiem, Dies irae (excerpt) |
![]() |
Summary of works by Bosch |
Paintings |
Early paintings | 7 Deadly Sins | Various panels |
Garden of Earthly Delights | Haywain |
Panels in Venice | Last Judgment | Various triptychs |
Adoration of the Magi | Temptation of St Anthony |
Graphics |
Page 1 | Page 2 |